bibliography: 7. decolonising landart & site-based aesthetic interventions

2014 fragment of Utopiana - Geneve - Rhone study

bibliography heading

compiled project bibliographies: 2017 June 22 bibliography À la recherche de certaines récoltes presque perdu

  1. decolonising landart & site-based aesthetic interventions

Beardsley, John. 2006. Earthworks And Beyond: Contemporary Art In the Landscape. Fourth Edition. New York: Abbeville Press.

Benner, Ron. 2008. Gardens of a Colonial Present / Jardins d’un Present Colonial. London, Ontario: London Museum.

Beuys, Joseph. 1982a. 7000 Eichen – Stadtverwaldung statt Stadtverwaltung / 7000 Oaks – City Forestation Instead of City Administration. Kassel, Hesse: documenta 7.

Beuys, Joseph. 1982b. Richard Demarco, “Conversations with Artists.” Studio International 195 (996) (September 1982): 46.

Bishop, Claire. 2004. Antagonism and Relational Aesthetics. October 110 (2004): 51 – 80.

Bishop, Claire. 2006. The Social Turn: Collaboration and its discontents. Artforum (February 2006): 178 – 183.

Bishop, Claire. 2012. Artificial Hells: Participatory Art and the Politics of Spectatorship. New York: Verso.

Bourriaud, Nicolas. 1998. Relational Aesthetics. Dijon, France: Les presses du réel.

Boetzkes, Amanda. 2010. The Ethics of Earth Art. Minneapolis, Minnesota: University of Minnesota Press

Brown, Andrew. 2014. Art and Ecology. London: Thames and Hudson.

Demos, T. J. 2015. Decolonizing Nature: Making the World Matter. Social Text: Periscope (2015 March 8 Radical Materialism issue).

Kaiser, Philipp and Miwon Kwon (curators). 2013. Ends of the Earth: Land Art to 1974. Museum of Contemporary Art in Los Angeles in collaboration with Haus der Kunst, Munich.

Garneau, David. 2015. Indigenous Criticism: On Not Walking With Our Sisters. Border Crossings 34(2) (#134): 78 – 82.

Grande, John K. and Edward Lucie-Smith. 2004. Art Nature Dialogues: Interviews with Environmental Artists. Albany, New York: State University of New York Press.

Hawkins, Harriet and Elizabeth Straughan (editors). 2015. Geographical Aesthetics: Imagining Space, Staging Encounters. Farnham Surrey UK: Ashgate.

Ingram, Gordon Brent. 2013. Repopulating contentious territory: Recent strategies for indigenous North-west Coast site-based & public art. FUSE (Toronto) 36(4): 7 – 8. &

Johnson, Ken. 2015. Review: Pierre Huyghe Mixes Stones and Water for Roof Garden at the Met. New York Times (May 12, 2015).

Lailach, Michael. 2007. Land Art. New York: Taschen.

Lauder, Adam. 2015. Glue Pour, 1970: Robert Smithson’s Vancouver sojourn. Canadian Art (Summer 2015): 90 – 94.

Linklater, Duane. 2012. Untitled (A Blueberry Garden for Bard College). 12 blueberry bushes, garden implements, soil, mulch, wood, rope. Variable dimensions.

Lippard, Lucy. 2014. Undermining: A Wild Ride Through Land Use, Politics and Art in the Changing West. New York: New Press.

Lockward, Alanna, Rolando Vázquez, Teresa María Díaz Nerio, Marina Grzinic, Michelle Eistrup, Tanja Ostojic, Dalida María Benfield, Raúl Moarquech Ferrera Balanquet, Pedro Lasch, Nelson Maldonado Torres, Ovidiu Tichindeleanu, Miguel Rojas Sotelo, and Walter Mignolo. 2011. Decolonial Aesthetics (I) Sunday, May 22nd, 2011. TDI + Transnational Institute.

Mann, Charles C. 2005. 1491: New Revelations of the Americas Before Columbus. New York: Knopf.

Mbembe, Achille. 2001 On the Postcolony. Berkeley: University of California Press.

Menard, Andrew. 2014. Robert Smithson’s Toxic Tour of Passaic, New Jersey. Journal of American Studies 48(04):1019-1040.

Mignolo, Walter D. 2012. Local Histories / Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking. Princeton, New Jersey: Princeton University Press.

Mignolo, Walter and Rolando Vázquez. 2013. Decolonial AestheSis: Colonial Wounds/Decolonial Healings. Social Text: Periscope (July 15th, 2013).

Natural World Museum. 2007. Art in Action: Nature, Creativity, and Our Collective Future. San Rafael, California: Earth Aware Editions

Nisbet, James. 2014. Ecologies, Environments, and Energy Systems in Art of the 1960s and 1970s. Cambridge, Massachusetts: MIT Press.

Scott, Emily Eliza & Kirsten Swenson (editors). 2015. Critical Landscapes: Art, Space, Politics. Berkeley: University of California Press.

Smithson, Robert. 1966 (1996). Frederick Law Olmsted and the Dialectical Landscape. in Robert Smithson: The Collected Writings. Jack Flam (ed.). Berkeley: University of California Press. 157–171.

Thompson, Nato. 2009. Experimental Geography: Radical Approaches to Landscape, Cartography, and Urbanism. Brooklyn, New York: Melville House.

Thompson, Nato (editor). 2012. Living as Form: Socially Engaged Art from 1991-2011. Cambridge, Massachusetts: The MIT Press.

Thompson, Nato. 2015. Seeing Power: Art and Activism in the 21st Century. Brooklyn, New York: Melville House.

Wallace, Ian. 2014. Critic Lucy Lippard on Trading Conceptual Art for Environmental Activism. Artspace (May 1, 2014).

Wallis, Brian. 2010. Land and Environmental Art. London: Phaidon Press.

Weintraub, Linda. 2012. To Life!: Eco Art in Pursuit of a Sustainable Planet. Berkeley, California: University of California Press.

Tavares, Paulo. 2015 Rights of Nature. Social Text: Periscope (2015 March 8 Radical Materialism issue).

Tuck, Eave and K. Wayen Yang. 2012. Decolonization is not a metaphor. Decolonization: Indigeneity, Education & Society 1(1): 1 – 40.

Zukin, Sharon. 2010. The Naked City: The Death and Life of Authentic Urban Places. New York: Oxford University Press.

bibliography: 8. site planning as contemporary aesthetic practice


2016 August 12 chokecherry by grunenfelder & ingram IMG_0008

chokecherry, Prunus virginiana, above Fulford Harbour, Salt Spring Island 2016 August 12 photograph by Alex Grünenfelder & Gordon Brent Brochu-Ingram

bibliography heading


compiled project bibliographies: 2017 June 22 bibliography À la recherche de certaines récoltes presque perdu




  1. site planning

Benedict, Mark A. and Edward T. McMahon 2006. Green Infrastructure: Linking Landscapes and Communities. Washington DC: Island Press.

Debord, Guy. 1994 [1967]. The Society of the Spectacle. (translation by Donald Nicholson-Smith). New York: Zone Books.

Gehl, Jan. 1987. Life Between Buildings: Using Public Space. Jo Koch (translator). New York: Van Nostrand Reinhold.

Gehl, Jan and Svarre, B. 2013. How to Study Public Life. Washington, DC: Island Press.

Hirsch, Alison . 2014. City Choreographer: Lawrence Halprin in Urban Renewal America. Minneapolis, Minnesota: University of Minnesota Press.

Lynch, Kevin and Gary Hack. 1984. Site Planning. Cambridge, Massachusetts: MIT Press.

McHarg, Ian L. 1966. Ecological Determinism. in Future Environments of North America. F. Fraser Darling and John P. Milton (eds). Garden City, New York: The Natural History Press. 526 – 538.

McHarg, Ian L. 1969 (1971). Design With Nature. Garden City, New York: Doubleday / The Natural History Press.

Reed, Chris and Nina-Marie Lister (eds.) 2014. Projective Ecologies. Cambridge, Massachusetts: ACTAR, Harvard Graduate School of Design.

Spirn, Anne W. 1985. The Granite Garden: Urban Nature And Human Design. New York: Basic Books.

Thompson, George F. and Frederick R. Steiner (editors). 1997. Ecological Design and Planning. New York: Wiley.

Vogt, Adolf Max. 1998. Le Corbusier, the Noble Savage: Toward an Archaeology of Modernism. (Translated by Radka Donnell). Cambridge, Massachusetts: MIT Press.

Whyte, William H. 1980. The Social Life of Small Urban Spaces. New York: Project for Public Spaces.

bibliography: 9. video, audio & new archives as ‘designs’ for public space

Utopiana mosaic 1 castle&ingram 2014

bibliography heading

complete project bibliographies: 2017 June 22 bibliography À la recherche de certaines récoltes presque perdu

  1. video, audio & new archives as ‘designs’ for public space

Adams, James. 2014. Must-see mischief: The fundamental strangeness of Frenkeland at MoCCA. Globe and Mail (November 28, 2014).

Balkin, Amy. 2015. A People’s Archive of Sinking and Melting. Social Text: Periscope (2015 March 8 Radical Materialism issue).

Enwezor, Okwui. 2008. Archive Fever: Uses of the Document in Contemporary Art. Göttingen, Germany: Steidl.

Frenkel, Vera. 2005 *String Games: Improvisations for Inter-City Video, in This Must Be the Place, Inaugural Exhibition. Toronto: Inter/Access New Media Centre.

Gagnon, Jean (ed.). 1994. …from the Transit Bar (Vera Frenkel). Toronto, Ontario: The Power Plant, the National Gallery of Canada.

Guattari, Pierre-Félix. 1995. Chaosmosis: An Ethico-Aesthetic Paradigm. Paul Bains and Julian Pefanis (Translators). Bloomington, Indiana: Indiana University Press.

Hampson, Sarah. 2005 (2009). Sick of bureaucrats (interview with Vera Frenkel). Globe and Mail (Saturday, Jan. 01, 2005 12:00AM EST Last updated Tuesday, Mar. 17, 2009 2:12PM EDT).

Milroy, Sarah. 2005. Art that’s inside the box (set). [Vera Frenkel]. Globe and Mail (Toronto): August 16, 2005.

Murphy, Mekado. 2015. Sean Baker Talks ‘Tangerine,’ and Making a Movie With an iPhone. New York Times (July 5, 2015).

Schade, Sigrid (editor). 2013. Vera Frenkel (with essays by Dot Tuer, Anne Benichou, Griselda Pollock, Ryszard W. Kluszcynski, John Bentley Mays, Elizabeth Legge, Sylvie Lacerte, and Frank Wagner). Ostfildern, Germany: Hatje Cantz.

Tomic, Milena. 2015. Vera Frenkel: Toronto at Museum of Contemporary Canadian Art. Art in America (March 24, 2015).

Wynne, John. 2015 Anspayaxw. Open Sound installation. Surrey Art Gallery, Surrey, British Columbia.