project synopsis & site map

bosque section - presqueperdu Gordon Brent Brochu-Ingram (small)

The 2014 – 2016 studies, designs and interventions that comprise À la recherche de certaines récoltes presque perdu: Decolonising permaculture: The greatest adversity comes from forgetting are in response to Utopiana’s call for the thematic residency, La Bête et l’adversité. We explore one ‘beast’ in nature: human memory and the ways that biology, culture and our individual developments mediate what we know of landscapes and how we interact and sometimes transform public spaces. In this context, we explore divergent experiences of the postcolonial world: the Geneva region that was not colonized and has had an uneven relationship with the imperial and modernist projects and the still decolonising Salish Sea region of the South Coast of Pacific Canada and adjacent Puget Sound in the United States of America.

indefinite decolonial matrix - presqueperdu - Gordon Brent Brochu-Ingram

Within these landscapes, we explore and imagine reinserting dwindling populations of wild and traditional tree crops, in the gene pools of

apple and pear,

plum and cherry,

raspberry and blackberry, and

blueberry and cranberry.

montage decolonial

Tree fruit in this project also becomes a focus for exploring ecological and cultural legacies and ‘gifts’ within ecosystems with renewed interest in philosophies of gratitude so central to indigenous cultures in the Western Hemisphere. The divergent indigenous cultures of these gene pools, that span both the Geneva and the Vancouver-Seattle regions across Europe, Asia, and north-western North America are reconnoitered. In this way, we critique and begin to decolonise popular and sometimes trite notions of ‘permaculture’, a set of principles and practices for diverse and more sustainable agro-ecosystems by re-centring the roles of traditional knowledge and learning from and respecting local gene pools (and associated human populations).

timeline - presqueperdu Gordon Brent Brochu-Ingram (small)

Initiating our investigations of forgetting, memory and remembrance as an often irascible beast within nature (and human lives), the contributions of Proust, and in particular his now waning modernist notions of the individual, landscape, and desire codified in À la recherche de certaines récoltes presque perdu comprise a key source for understanding the legacies of the colonial projects within Europe and in margins such as Pacific Canada. In understanding this broader loss of memory and ecosystem under modernism and individuals, we construct another aspect of the emerging movement of decolonial aesthetic specifically departing from and ‘rifting’ with Proustian nostalgia. A century ago, Proust’s modernist aesthetics largely obscured labour, ecology, and political economy from experiences of landscapes, agriculture, and indigenous and traditional communities. Today, contemporary aesthetics are back to more fully appreciating cultural legacies in nature as well as the crucial role of traditional knowledge and communities and material relationships more generally.

trellis - presqueperdu Gordon Brent Brochu-Ingram (small)

Our endgame, in À la recherche de certaines récoltes presque perdu: Decolonising permaculture: The greatest adversity comes from forgetting, is to propose and begin to demonstrate some interventions in public space that re-establish small groves of these often declining tree crops. As beneficiaries of the tree planting legacies of artists Joseph Beuys and Alan Sonfist, we argue that agriculture and horticulture embody practices central to the collaborative and community-based impulses in contemporary art. In this work, we are also strongly influenced by the relational aesthetics proposed over a decade ago, that are more concerned with social learning than production of static art objects, and more recent forms of radical materialism centred on cultural cognition of threats to the biosphere and human life support and that in turn challenge to intensifying social inequities.

2015 Oct 14 site planning Alex - Gordon Brent Brochu-Ingram (small)

Just as important as generating a beneficial ecological impact through nurturing traditional local gene pools, habitats and communities, we make ‘installations’ and archives with what we can find from recycled paper and ink to digital photographs, videos and text made with old computers and mobile telephones and reworked versions of software and apps. So in a time of new forms of impoverishment for artists, our approach is aggressive in the mixing of discarded and repurposed media taking inspiration from the minimalism and disregard for polish of the Arte Povera movement of Italy in the 1970s.

fruit agriculture culture

This site only holds the work of Gordon Brent Brochu-Ingram. Collaborative work completed in this project is posted at www.castlegrunenfelderingram.space/perdu.

permaculture impermanent culture

In using this site, the categories listed on the left, seen after further scrolling, link to particular aspects of project development and specific works. Each of these categories represents a longer-term project that we hope to explore more fully in coming years.

Gordon Brent Brochu-Ingram of castle grünenfelder ingram

decolonial public art

Canada Council logo

A portion of the total travel costs of Gordon Brent Brochu-Ingram has been paid by the Canada Council for the Arts.

Canada Council logo

The bulk of support to complete this work is being provided by the Utopiana artist centre of Geneva which is supported by an array of local and regional agencies and organizations.

utopiana demolition Gordon Brent Brochu-Ingram

2015 Sept urban bosques - Gordon Brent Brochu-Ingram (small)

Nearly lost: Re-introducing images of Vancouver’s native, Salish fruit trees

2016-oct-20-chokecherry-poster-vancouver-castle-grunenfelder-ingram-img_0749

lhexwlhéxw | chokecherry | Prunus virginiana” installed in Vancouver at Station & Terminal, late October and early November 2016, photograph by Alex Grünenfelder

 

Nearly lost: Re-introducing images of Vancouver’s native fruit trees

host
City of Vancouver Public Art Program

 

initial posters in the ongoing ‘Nearly Lost’ project

4 different posters installed in 20 bus shelters with the poster dimension 47.25 inches x 68.25 inches.

 

installation & locations
October 10 to November 7, 2016 (with locations attached)

installation-site-loclist_20161004_115506_page_1

2016-10-11-nearly-lost-castle-grunenfelder-ingram-installation-sites

 

authorship
castle grünenfelder ingram (Julian Castle, Alex Grünenfelder, and Gordon Brent Brochu-Ingram with this project involving conceptualization by all three artists, research, photographing, and initial design conceptualization by Grünenfelder and Brochu-Ingram, text by Brochu-Ingram, and final designs and electronic conveyance by Grünenfelder)

castle grünenfelder ingram is a collective of three working on the cusp of public art, urban design, sustainability transitions, and intercultural conversations especially around First Nations legacies in public space and local territories. Only working together for two years, our individual work in Vancouver goes back decades along with other projects and installations in Kamloops, New York, London UK, Seoul, Geneva, and Prince George. As one of our projects, we coordinate KEXMIN field station, on Salt Spring Island, as a centre for research and learning spanning traditional indigenous knowledge and contemporary science for environmental planning, ecological design, public art and other forms of contemporary cultural production with a focus on the Salish Sea and its Gulf and San Juan Islands between the mainland of the North American West Coast and Vancouver Island.

castle-grunenfelder-ingram-2016-nearly-lost-poster-3-kwu7upay-commercial-adanac-dscf6457

castle grünenfelder ingram, 2016 Nearly lost poster #3 kwu7upay Pacific crabapple Malus fusca, installed in Vancouver at Commercial & Adanac, late October and early November 2016, photograph by Laiwan

 

text from project proposal

Nearly lost: Re-introducing images of Vancouver’s native fruit trees We propose large 2D imagery especially at bus stops, with video loop installations also possible for the video screens, of fruit and blossoms of several of the native fruit trees that have existed and continue to survive in the City of Vancouver — and that are of continued interest for First Native use, stewardship, and cultivation. Low resolution photographs would be enlarged, slightly saturated, and ‘montaged’ with educational text in English, Halkomelem (Musqueam and Tsleil-Waututh), Sḵwx̱wú7mesh snichim (Squamish) along with other widely spoken languages, and botanical Latin. For the 2015-2016, we would be able focus on making a number of montage posters celebrating two of the most common native fruit trees and more extensive Salish orchards, Pacific crabapple, Malus fusca, and chokecherry, Prunus virginiana ssp. demissa. Both of this crabapple species and this subspecies of chokecherry are limited to coastal ecosystems in BC, Alaska, and Washington State.

2016-sept-ihexwlhexw-chokecherry-castle_grunenfelder_ingram

text on posters
four different posters with large type with,

1. lhexwlhéxw | chokecherry | Prunus virginiana

2. t’elemay (with two vertical accents over ‘m’ and ‘y’ and an acute accent over the ‘a’) | chokecherry | Prunus virginiana

3. ḵwu7úpay (with a vertical accent over the ‘y’) | Pacific crabapple | Malus fusca

4. qwa’upulhp | Pacific crabapple | Malus fusca

Along with the following headings is the following text for respective poster:

1. lhexwlhéxw | chokecherry | Prunus virginiana

One of the Salish names for chokecherry is lhexwlhéxw in the hən̓q̓əmin̓əm̓ Downriver dialect of Halkomelem language.

2. t’elemay (with two vertical accents over ‘m’ and ‘y’ and an acute accent over the ‘a’) | chokecherry | Prunus virginiana

One of the Salish names for chokecherry is t’elemay (with two vertical accents over ‘m’ and ‘y’ and an acute accent over the ‘a’) in the Sḵwx̱wú7mesh snichim language.

3. ḵwu7úpay (with a vertical accent over the ‘y’) | Pacific crabapple | Malus fusca One of the Salish names for Pacific crabapple is ḵwu7úpay (with a vertical accent over the ‘y’) in the Sḵwx̱wú7mesh snichim language.

4. qwa’upulhp | Pacific crabapple | Malus fusca One of the Salish names for Pacific crabapple is qwa’upulhp in the hən̓q̓əmin̓əm̓ Downriver dialect of Halkomelem language.

2016-sept-kwu7upay-crabapple-castle_grunenfelder_ingram

For the two posters on chokecherry, there is the following text: Chokecherry has been a major source of fruit and medicinal bark for indigenous bark for indigenous peoples on the West Cost. Trees continue to be owned, stewarded and harvested by families of the Musqueam, Squamish, and Tsleil-Watuth First Nations within today’s City of Vancouver.

For the two posters on Pacific crabapple, there is the following text: Pacific crabapple has been a major source of fruit and medicinal bark for indigenous bark for indigenous peoples on the West Cost. Trees continue to be owned, stewarded and harvested by families of the Musqueam, Squamish, and Tsleil-Watuth First Nations within today’s City of Vancouver. For the two posters on chokecherry, there is the following text: Chokecherry has been a major source of fruit and medicinal bark for indigenous bark for indigenous peoples on the West Cost. Trees continue to be owned, stewarded and harvested by families of the Musqueam, Squamish, and Tsleil-Watuth First Nations within today’s City of Vancouver. For the two posters on Pacific crabapple, there is the following text: Pacific crabapple has been a major source of fruit and medicinal bark for indigenous bark for indigenous peoples on the West Cost. Trees continue to be owned, stewarded and harvested by families of the Musqueam, Squamish, and Tsleil-Watuth First Nations within today’s City of Vancouver.

2016-sept-qwaupulhp-crabapple-castle_grunenfelder_ingram

All four posters have the following text: This species is being studied at KEXMIN field station, a centre for conversations spanning traditional indigenous knowledge, modern science, and contemporary art — a project of castle grünenfelder ingram (Julian Castle, Alex Grünenfelder and Gordon Brent Brochu-Ingram). The following text was provided by the City of Vancouver: Commissioned as part of the series Coastal City for the 25th Anniversary of the City of Vancouver Public Art Program Vancouver.ca/platform2016

media
Inkjet printer on paper photographing
The photographs in the attached images of the posters were photographed jointly by Alex Grünenfelder and Gordon Brent Brochu-Ingram. All of the photographs of the posters installed in the bus shelters were taken by by Alex Grünenfelder.

fabricators / suppliers
OUTFRONT MEDIA Decaux in cooperation with
the printer, LinxPrint, as service-providers to the City of Vancouver

2016-sept-telemay-chokecherry-castle_grunenfelder_ingram

 

castle-grunenfelder-ingram-2016-nearly-lost-poster-3-kwu7upay-nanaimo-e-3rd-img_0348

castle grünenfelder ingram, 2016 Nearly lost poster #3 kwu7upay Pacific crabapple Malus fusca, installed in Vancouver at Nanaimo & East 3rd, late October and early November 2016, photograph by Laiwan

 

castle-grunenfelder-ingram-2016-nearly-lost-poster-4-qwaupulhp

castle grünenfelder ingram, 2016 Nearly lost poster #4 qwa’upulhp | Pacific crabapple | Malus fusca, installed in Vancouver at King Edward & Ontario, late October and early November 2016,  photograph by Sally Ogis

chokecherry-text-1

crabapple-text-3

kexmin-note3

 

Ripening crabapple, qwa’up [Hul’q’umi’num], Malus fusca on Burgoyne Bay, Salt Spring Island

*crabapple 2016 August 11 & 12 grunenfelder & ingram**IMG_1189

Pacific crabapple, qwa’upulhp (in the downriver dialect of Halkomelem), ḴÁ¸EW̱ (SENĆOŦEN), Malus fusca, north of the site of the village of Xwaaqw’um, Burgoyne Bay, Salt Spring Island 2016 August 11 & 12, photographs by Alex Grünenfelder & Gordon Brent Brochu-Ingram

0 crabapple 2016 August 11 & 12 grunenfelder & ingram**IMG_0599

1 crabapple 2016 August 11 & 12 grunenfelder & ingram**IMG_1113

crabapple 2016 August 11 & 12 grunenfelder & ingram***IMG_0582

crabapple 2016 August 11 & 12 grunenfelder & ingram***IMG_0499

crabapple 2016 August 11 & 12 grunenfelder & ingram***IMG_1015

crabapple 2016 August 11 & 12 grunenfelder & ingram***IMG_0964

crabapple 2016 August 11 & 12 grunenfelder & ingram**IMG_0533

crabapple 2016 August 11 & 12 grunenfelder & ingram**IMG_0510

ripe chokecherry, thuxwun [Halkomelem], Prunus virginiana, above Fulford Harbour, Salt Spring Island

 

2016 August 12 chokecherry Grünenfelder & Ingram IMG_0049

ripe chokecherry, lhex̱wlhéx̱w & thuxwun [Halkomelem] above Fulford Harbour, Salt Spring Island photograph by Alex Grünenfelder & Gordon Brent Brochu-Ingram 2016 August 12

chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0472

chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0471

chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0443

chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0431

chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0378

chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0249

chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0143

chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0047 copy

4 chokecherry 2016 August 9 - 11 grunenfelder & ingram***IMG_0476

3 chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0579

2 chokecherry 2016 August 9 - 11 grunenfelder & ingram***IMG_0446

1 chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0573

0 chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0563

chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0379 chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0435 chokecherry 2016 August 9 - 11 grunenfelder & ingram**IMG_0584

project bibliography: 1. plants | landscapes | memory | forgetting | remembering | landscapes

A 2014 – 2018 collaboration of castle grünenfelder ingram

À la recherche de certaines récoltes presque perdu: Decolonising permaculture: The greatest adversity comes from forgetting

 

2016 August 12 Pacific crabapple (grunenfelder & ingram) IMG_0059

Pacific crabapple, Malus fusca, Burgoyne Bay, Salt Spring Island 2016 August 12 photograph by Alex Grünenfelder & Gordon Brent Brochu-Ingram

bibliography heading

  1. plants | landscapes | memory | forgetting | remembering | landscapes

compiled project bibliography: 2017 February 20 bibliography À la recherche de certaines récoltes presque perdu

 

Anderson, E. N., Deborah Pearsall, Eugene Hunn and Nancy Turner. (editors). 2011. Ethnobiology. Hoboken New Jersey: Wiley – Blackwell.

Dorrian, Mark and Gillian Rose (eds.) 2003. Deterritorializations. London: Black Dog Publishing.

Groh, Jennifer M. 2014 Making Space: How the Brain Knows Where Things Are. Cambridge, Massachusetts: Harvard University Press.

Gussow, Mel. 1995. Into Arcadia With Simon Schama. New York Times (June 5, 1995).

Hajjar, Reem and Toby Hodgkin. 2007. The use of wild relatives in crop improvement: A survey of developments over the last 20 years. Euphytica 156: 1 – 13.

Hoskins, William George. 1955. The Making of the English Landscape. London: Hodder and Stoughton.

Ingram, Gordon Brent 1997. Marginality and the landscapes of erotic alien( n)ations. in Queers in Space: Communities | Public Places | Sites of Resistance. Ingram, G. B., A.-M. Bouthillette and Y. Retter (eds.). Seattle: Bay Press. 27 – 52.

Jackson, John Brinckerhoff. 1980. Necessity of Ruins. Amherst, Massachusetts: University of Massachusetts Press.

Jackson, John Brinckerhoff. 1984. Discovering the Vernacular Landscape. New Haven, Connecticut: Yale University Press.

Jacques, David. 1995. The Rise of Cultural Landscapes. International Journal of Heritage Studies 1-2: 91 – 101.

karenarchey. 2015. Jimmie Durham documenta13 work destroyed in Kassel. conversations e-flux (July 2015).

Kennedy, David O. 2014. Plants and the Human Brain. Oxford UK: Oxford University Press.

Mancuso, Stefano and Alessandra Viola. 2015. Brilliant Green: the Surprising History and Science of Plant Intelligence. Washington DC: Island Press.

Martin, Gary J. 1995. Ethnobotany: A Methods Manual. London: Chapman and Hall.

Meinig, D. W. (ed.). 1979. The Interpretation of Ordinary Landscapes: Geographical Essays. London: Oxford University Press.

Mitchell, W. J. T. 1994 (2002). Landscape and Power. Chicago: Chicago University Press.

Nabhan, Gary P. 1997. Cultures of Habitat: One Nature, Culture and Story. Washington DC: Counterpoint.

Nabhan, Gary. 2013. Growing Food in a Hotter, Drier Land: Lessons from Desert Farmers on Adapting to Climate Uncertainty. White River Junction, Vermont: Chelsea Green Publishing.

Natcher, D.C. and C.G. Hickey. 2003. Putting the community back into community-based resource management: A criteria and indicators approach to sustainability. Human Organization 61 (4): 350 – 363.

Nazarea, Virginia D. (editor). 1999. Ethnoecology: Situated Knowledge / Located Lives. Tuscon, Arizona: University of Arizona Press.

Pollan, Michael. 2002. “Cannabis, The Importance of Forgetting, and the Botany of Desire”. Lecture as the 2002-2003 Avenali Chair in the Humanities at the Townsend Center for the Humanities, University of California, Berkeley.  https://www.youtube.com/watch?v=S7QA7Ae1ENA

Ponte, Alessandra. 2014. The Map and the Territory. in The House of Light and Entropy. London: Architectural Association. pages 169–221.

Proust, Marcel. 1913 – 1927 (2002). In Search of Lost Time (7 volumes) translated by Lydia Davis, Mark Treharne, James Grieve, John Sturrock, Carol Clark, Peter Collier, & Ian Patterson. London: Allen Lane.

Proust, Marcel. 2013. Swann’s Way: In Search of Lost Time Volume 1. (Translated and annotated by William C. Carter). New Haven: Yale University Press.

Robertson, I. & Richards P. 2003. Studying Cultural Landscapes. Robertson I. & P. Richards (editors). London: Arnold.

Sauer, Carl Ortwin. 1963. Land and Life: A Selection from the Writings. Leighly, John. (ed.). Berkeley, California: University of California Press.

Schama, Simon. 1995. Landscape and Memory. London: Harper Collins.

Spirn, Anne Whiston. 2000. The Language of Landscape. New Haven, Connecticut: Yale University Press.

Supreme Court of Canada. 2014. Decision: Tsilhqot’in Nation v. British Columbia. [Date: 2014-06-26 / Neutral citation 2014 SCC 44 / Report [2014] 2 SCR 256 Case number 34986]. Ottawa: Supreme Court of Canada. https://scc-csc.lexum.com/scc-csc/scc-csc/en/item/14246/index.do

Thompson,Nato. 2015. Experimental Geography: Radical Approaches to Landscape, Cartography, and Urbanism. New York: Independent Curators International / Melville House.

Wikipedia. 2015. Involuntary memory. https://en.wikipedia.org/wiki/Involuntary_memory

Wikipedia. 2015. Memory in ‘In Search of Lost Time’. https://en.wikipedia.org/wiki/In_Search_of_Lost_Time

project bibliography: 2. cultivation as contemporary culture: sites | public space | plants as art interventions

A 2014 – 2018 collaboration of castle grünenfelder ingram

À la recherche de certaines récoltes presque perdu: Decolonising permaculture: The greatest adversity comes from forgetting

#4 Utopiana garden (Vernier - Geneva - Switzerland) 1 castle&ingram

bibliography heading

compiled bibliographies for project:  2017 February 20 bibliography À la recherche de certaines récoltes presque perdu

  1. cultivation as contemporary culture: sites | public space | plants as art interventions

 

Benner, Ron. 2008. Gardens of a Colonial Present / Jardins d’un Present Colonial. London, Ontario: London Museum.

Beuys, Joseph. 1982. 7000 Eichen – Stadtverwaldung statt Stadtverwaltung) / 7000 Oaks – City Forestation Instead of City Administration. Kassel, Hesse: documenta 7.

Brenson, Michael. 1990. Review: Art – Plaster as a Medium, Not Just an Interim Step (Alan Sonfist, Max Protetch Gallery). New York Times (July 13, 1990).

Brooks, Katherine. 2014. This One Tree Grows 40 Different Types Of Fruit, Is Probably From The Future. The Huffington Post (July 24, 2014) http://www.huffingtonpost.com/2014/07/24/tree-of-40-fruit_n_5614935.html

Bunting, Madeleine. 2009. The rise of climate-change art. Guardian (London)(2 December, 2009).

Burns, David, Matias Viegener and Austin Young. 2005. FALLENFRUIT Manifesto. http://www.fallenfruit.org/wp-content/uploads/FF-manifesto-handout.pdf

Caruth, Nicole J. 2012. The Growing Trend. Big Red & Shiny (December 12, 2012). http://bigredandshiny.org/16762/the-growing-trend/

Cave, Damien. 2012. Mexico City Journal: Lush Walls Rise to Fight a Blanket of Pollution. New York Times: April 9, 2012

Fitzzaland, Elizabeth. 2015. Putting the ‘farm’ in farmland – The Burgoyne Valley Community Farm on Salt Spring Island – Aqua (Salt Spring Island) (10)2: 26-30. http://edition.pagesuite-professional.co.uk//launch.aspx?eid=9fea0657-4182-4d17-8543-ef2b5f74b880

Gallardo, Francisco Javier Fernández. 2014. biodiverCITY, the cocktail book, notes on how to taste soil, bees, ecosystems and networks of organisms — including humans. Else 0 (October 2014): 26 – 35.

Goodyear, Dana. 2012. Eat A Free Peach: Mapping “Public Fruit.” The New Yorker (MARCH 12, 2012). http://www.newyorker.com/culture/culture-desk/eat-a-free-peach-mapping-public-fruit

Hay. Daisy. 2010. Young Romantics: The Tangled Lives of English Poetry’s Greatest Generation. New York: Farrar, Straus and Giroux.

Hirshey, Gerri. 2008. Why Fight Invasive Vines? Just Turn Them Into Art – WOMAN VS. NATURE Laura Spector wrestling with some Celastrus orbiculata. New York Times (March 30, 2008).

Kelly, Caleb and Ross Gibson. 2010. Contemporary Art & The Noise of TENDING. Interference A Journal of Audio Culture (Dublin) 4. http://www.interferencejournal.com/articles/noise/the-noise-of-tending

Kent, Elizabeth. 1823. Flora domestica, or, The portable flower-garden: with directions for the treatment of plants in pots and illustrations from the works of the poets. London: Taylor and Hessey.  https://archive.org/details/floradomesticaor00kent

Landi, Ann. 2011. Separating the Trees from the Forest: Alan Sonfist has built a career as an urban land artist. ARTnews (Summer 2011) (POSTED 08/15/11 5:58 PM). http://www.artnews.com/2011/08/15/separating-the-trees-from-the-forest/

Linklater, Duane. 2012. Untitled (a raspberry garden for 21st. St.). In conjunction with Bard Centre for Curatorial Studies and Family Business Gallery. The opening of the exhibition consisted of a 45 minute talk with Wil Heinrich. An event several weeks later took place in which poet Layli Longsoldier read her series of poems Whereas – a pointed poetic response to President Barrack Obama’s little known apology to Native Americans in 2010. http://www.duanelinklater.com/index.php?/raspberry/

Mafi, Nick. 2015. Designer Gavin Munro Casts Trees Into Beautiful Furnishings. Architectural Digest (April 24, 2015) http://www.architecturaldigest.com/blogs/daily/2015/04/furniture-grown-from-trees

Prigann, H. and H Strelow (editors). 2004. Ecological Aesthetics: Art in environmental design theory and practice. Basel, Switzerland: Birkhäuser.

Reynolds, Richard. 2008. Guerrilla Gardening. London: Bloomsbury.

Riedelsheimer, Thomas (director). 2011. Jardin en el mar ( Garden in the Sea). (Mexico, Germany, 2011, 69 mins, HDCAM video).

Rosenberg, Karen. 2008. ART REVIEW | ‘IMPLANT’ – Yes, the Live Music Is Lovely, but Will the Plants Like It? New York Times (August 7, 2008).

Salkeld, Lauren interviewed Sam Van Aken. N.D. The Tree of 40 Fruit Is Exactly as Awesome as It Sounds. epicurious.com. http://www.epicurious.com/archive/chefsexperts/interviews/sam-van-aken-interview

Sonfist, Alan, Wolfgang Becker, and Robert Rosenblum. 2004. Nature, The End of Art: Environmental Landscapes. New York: Distributed Art Publishers.

Stone, Dan. 2013. Seattle’s Free Food Experiment. National Geographic Magazine (April 29, 2013). http://voices.nationalgeographic.com/2013/04/29/seattles-free-food-experiment/

SUPERFLEX. 2003. Tools: Guaraná Power. http://www.superflex.net/tools/guarana_powerhttp://www.guaranapower.org/

Thompson, Claire. 2012. Into the woods: Seattle plants a public food forest. Grist. http://grist.org/urban-agriculture/into-the-woods-seattle-plants-a-public-food-forest/

Viegener, Matias. 2015. Speculative Futures: Social practice, cognitive capitalism and / or the triumph of capital. in Informal Market Worlds: The Architecture of Economic Pressure. Peter Mörtenböeck and Helge Mooshammer (eds.). Rotterdam: nai010.

http://mviegener.com/wp-content/uploads/2015/07/Viegener-Matias-Speculative-Futures-Social-Practice-Cognitive-Capitalism-andor-the-Triumph-of-Capital.pdf

Wark, Mckenzie. 2015. Molecular Red: Theory for the Anthropocene. London: Verso.

 

Wikipedia. 2015. BioArt. https://en.wikipedia.org/wiki/BioArt

project bibliography: 5. the arts of contesting & re-creating urban space

A 2014 – 2016  collaboration of castle grünenfelder ingram

À la recherche de certaines récoltes presque perdu: Decolonising permaculture: The greatest adversity comes from forgetting

2014 Utopiana mosaic 6 castle&ingram

bibliography heading

compiled project bibliography:  2017 February 20 bibliography À la recherche de certaines récoltes presque perdu

  1. the arts of contesting & re-creating urban space

Beuys, Joseph. 1982a. 7000 Eichen – Stadtverwaldung statt Stadtverwaltung / 7000 Oaks – City Forestation Instead of City Administration. Kassel, Hesse: documenta 7.

Beuys, Joseph. 1982b. Richard Demarco, “Conversations with Artists.” Studio International 195 (996) (September 1982): 46.

Bishop, Claire. 2004. Antagonism and Relational Aesthetics. October 110 (2004): 51 – 80. http://www.teamgal.com/production/1701/SS04October.pdf

Bourriaud, Nicolas. 1998. Relational Aesthetics. Dijon, France: Les presses du réel.

de Certeau, Michel. 1984. The Practice of Everyday Life. (Steven Rendall trans.) Berkeley: University of California Press.

Deutsche, Rosalyn. 1996. Evictions: Art and Spatial Politics. London: MIT Press.

Ingram, Gordon Brent 1997. Marginality and the landscapes of erotic alien( n)ations. in Queers in Space: Communities | Public Places | Sites of Resistance. Ingram, G. B., A.-M. Bouthillette and Y. Retter (eds.). Seattle: Bay Press. 27 – 52.

Ingram, Gordon Brent. 2013. The New Cubism: Alex Grünenfelder on Cube Living in Vancouver. designs for The Terminal City. http://gordonbrentingram.ca/theterminalcity/?p=894.

Kwon, Miwon. 2004. One Place after Another: Site-Specific Art and Locational Identity. Cambridge UK: The MIT Press.

Lefebvre, Henri. (1973) 2014. Toward an Architecture of Enjoyment. (L. Stanek editor & R. Bononno translator). Minneapolis, Minnesota: University of Minnesota Press.

Lefebvre, Henri. (1974) 1991. The Production of Space. (Donald Nicholson-Smith translation). Oxford: Basil Blackwell.

Lippard, Lucy. 1997. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkeley, California: University of California Press.

Lydon, Mike, Anthony Garcia, and Andres Duany. 2015. Tactical Urbanism: Short-term Action for Long-term Change. Washington DC: Island Press.

Miessen, Markus. 2010. The Nightmare of Participation: Crossbench Practice as a Mode of Criticality. Berlin: Sternberg Press and Archive Books.

Mouffe, Chantal. 2007. Artistic Activism and Agonistic Spaces. ART & RESEARCH: A JOURNAL OF IDEAS, CONTEXTS AND METHODS 1 (2).

Rendell, Jane. 2006. Art and Architecture: A Place Between. London: I.B. Tauris. http://www.janerendell.co.uk/books/art-architecture-a-place-between

Rosler, Martha. 2010-11. Culture Class: Art, Creativity, Urbanism. e-flux 21 / 23 / 25.  http://www.e-flux.com/journal/culture-class-art-creativity-urbanism-part-i/    http://www.e-flux.com/journal/culture-class-art-creativity-urbanism-part-ii/   http://www.e-flux.com/journal/culture-class-art-creativity-urbanism-part-iii/

Rosler, Martha. 2012. The Artistic Mode of Revolution: From Gentrification to Occupation. e-flux Journal 33 (March 2012).

Slater, Josephine Berry and Anthony Iles. 2010. No Room to Move: Radical Art And The Regenerate City. London: Mute Publishing.

Squires, Catherine R. 2002. Rethinking the black public sphere: An alternative vocabulary for multiple public spheres. Communication Theory, 12(4) 446-468.

Tavares, Paulo. 2015 Rights of Nature. Social Text: Periscope (2015 March 8 Radical Materialism issue).  http://socialtextjournal.org/periscope_article/rights-of-nature/

The Laboratory of Insurrectionary Imagination. 2009. 13 Attitudes. 9th Experiment: C.R.A.S.H: A post capitalist A to Z. London June 2009. www.labofii.net/docs/13attitudes.pdf

W.A.G.E. 2015. Day 16—W.A.G.E., “Online Digital Artwork and the Status of the ‘Based-In’ Artist’. e-flux 56th Venice Biennale (The Art of Work, May 27, 2015).

 

bibliography: 6. decolonising permaculture

A 2014 – 2016 collaboration of castle grünenfelder ingram

À la recherche de certaines récoltes presque perdu: Decolonising permaculture: The greatest adversity comes from forgetting

2015 June 28 crabapple Burgoyne #1

bibliography heading

compiled project biographies:  2017 February 20 bibliography À la recherche de certaines récoltes presque perdu

  1. decolonising permaculture

Altieri, Miguel A. 1995. Agroecology: The Science Of Sustainable Agriculture (Second Edition Paperback). Boulder, Colorado: Westview Press.

Benner, Ron. 2008. Gardens of a Colonial Present / Jardins d’un Present Colonial. London, Ontario: London Museum.

Francis, Robyn. 2015. What is permaculture? Nimbin, New South Wales Australia: Djanbung Gardens. http://www.permaculture.com.au/articles/social-permaculture/art-activism-and-permaculture.html

Marques, Pedro Neves. 2015. SUPERCOMMUNITY – Look Above, the Sky is Falling: Humanity Before and After the End of the World. e-flux journal 56th Venice Biennale (Apocalypsis, May 23rd 2015—Day 14). http://supercommunity.e-flux.com/texts/look-above-the-sky-is-falling-humanity-before-and-after-the-end-of-the-world/

Mbembe, Achille. 2001. On the Postcolony. Berkeley: University of California Press.

Mollison, Bill. 1979. Permaculture Two: Practical Design for Town and Country in Permanent Agriculture. Stanley, Tasmania: Tagari Publications.

Mollison, Bill. 1988. Permaculture: A Designers’ Manual. Stanley, Tasmania: Tagari Publications.

The Laboratory of Insurrectionary Imagination. 2009. 13 Attitudes. As part of The Laboratory of Insurrectionary Imagination’s 9th Experiment: C.R.A.S.H: A post capitalist A to Z. London: The Laboratory of Insurrectionary Imagination. http://www.labofii.net/docs/13attitudes.pdf

Turner, Nancy J., R. Gregory, C. Brooks, L. Failing, and T. Satterfield. 2008. From invisibility to transparency: Identifying the implications. Ecology and Society 13(2): 7. http://www.ecologyandsociety.org/vol13/iss2/art7/

bibliography: 7. decolonising landart & site-based aesthetic interventions

2014 fragment of Utopiana - Geneve - Rhone study

bibliography heading

compiled project bibliographies: 2017 February 20 bibliography À la recherche de certaines récoltes presque perdu

  1. decolonising landart & site-based aesthetic interventions

Beardsley, John. 2006. Earthworks And Beyond: Contemporary Art In the Landscape. Fourth Edition. New York: Abbeville Press.

Benner, Ron. 2008. Gardens of a Colonial Present / Jardins d’un Present Colonial. London, Ontario: London Museum.

Beuys, Joseph. 1982a. 7000 Eichen – Stadtverwaldung statt Stadtverwaltung / 7000 Oaks – City Forestation Instead of City Administration. Kassel, Hesse: documenta 7.

Beuys, Joseph. 1982b. Richard Demarco, “Conversations with Artists.” Studio International 195 (996) (September 1982): 46.

Bishop, Claire. 2004. Antagonism and Relational Aesthetics. October 110 (2004): 51 – 80. http://www.teamgal.com/production/1701/SS04October.pdf

Bishop, Claire. 2006. The Social Turn: Collaboration and its discontents. Artforum (February 2006): 178 – 183.

Bishop, Claire. 2012. Artificial Hells: Participatory Art and the Politics of Spectatorship. New York: Verso.

Bourriaud, Nicolas. 1998. Relational Aesthetics. Dijon, France: Les presses du réel.

Boetzkes, Amanda. 2010. The Ethics of Earth Art. Minneapolis, Minnesota: University of Minnesota Press

Brown, Andrew. 2014. Art and Ecology. London: Thames and Hudson.

Demos, T. J. 2015. Decolonizing Nature: Making the World Matter. Social Text: Periscope (2015 March 8 Radical Materialism issue). http://socialtextjournal.org/periscope_article/decolonizing-nature-making-the-world-matter/

Kaiser, Philipp and Miwon Kwon (curators). 2013. Ends of the Earth: Land Art to 1974. Museum of Contemporary Art in Los Angeles in collaboration with Haus der Kunst, Munich. http://moca.org/landart/

Garneau, David. 2015. Indigenous Criticism: On Not Walking With Our Sisters. Border Crossings 34(2) (#134): 78 – 82. http://bordercrossingsmag.com/article/indigenous-criticism

Grande, John K. and Edward Lucie-Smith. 2004. Art Nature Dialogues: Interviews with Environmental Artists. Albany, New York: State University of New York Press.

Hawkins, Harriet and Elizabeth Straughan (editors). 2015. Geographical Aesthetics: Imagining Space, Staging Encounters. Farnham Surrey UK: Ashgate.

Ingram, Gordon Brent. 2013. Repopulating contentious territory: Recent strategies for indigenous North-west Coast site-based & public art. FUSE (Toronto) 36(4): 7 – 8.  http://fusemagazine.org/2013/11/36-4ingram &  http://gordonbrentingram.ca/scholarship/wp-content/uploads/2013/10/paper-ingram-2013-repopulating-contentious-territory-decolonial-aesthetics.pdf

Johnson, Ken. 2015. Review: Pierre Huyghe Mixes Stones and Water for Roof Garden at the Met. New York Times (May 12, 2015).

Lailach, Michael. 2007. Land Art. New York: Taschen.

Lauder, Adam. 2015. Glue Pour, 1970: Robert Smithson’s Vancouver sojourn. Canadian Art (Summer 2015): 90 – 94.

Linklater, Duane. 2012. Untitled (A Blueberry Garden for Bard College). 12 blueberry bushes, garden implements, soil, mulch, wood, rope. Variable dimensions. http://www.duanelinklater.com/

Lippard, Lucy. 2014. Undermining: A Wild Ride Through Land Use, Politics and Art in the Changing West. New York: New Press.

Lockward, Alanna, Rolando Vázquez, Teresa María Díaz Nerio, Marina Grzinic, Michelle Eistrup, Tanja Ostojic, Dalida María Benfield, Raúl Moarquech Ferrera Balanquet, Pedro Lasch, Nelson Maldonado Torres, Ovidiu Tichindeleanu, Miguel Rojas Sotelo, and Walter Mignolo. 2011. Decolonial Aesthetics (I) Sunday, May 22nd, 2011. TDI + Transnational Institute. https://transnationaldecolonialinstitute.wordpress.com/decolonial-aesthetics/

Mann, Charles C. 2005. 1491: New Revelations of the Americas Before Columbus. New York: Knopf.

Mbembe, Achille. 2001 On the Postcolony. Berkeley: University of California Press.

Menard, Andrew. 2014. Robert Smithson’s Toxic Tour of Passaic, New Jersey. Journal of American Studies 48(04):1019-1040.

Mignolo, Walter D. 2012. Local Histories / Global Designs: Coloniality, Subaltern Knowledges, and Border Thinking. Princeton, New Jersey: Princeton University Press.

Mignolo, Walter and Rolando Vázquez. 2013. Decolonial AestheSis: Colonial Wounds/Decolonial Healings. Social Text: Periscope (July 15th, 2013). http://socialtextjournal.org/periscope_article/decolonial-aesthesis-colonial-woundsdecolonial-healings/#sthash.rNSW6zUP.pdf

Natural World Museum. 2007. Art in Action: Nature, Creativity, and Our Collective Future. San Rafael, California: Earth Aware Editions

Nisbet, James. 2014. Ecologies, Environments, and Energy Systems in Art of the 1960s and 1970s. Cambridge, Massachusetts: MIT Press.

Scott, Emily Eliza & Kirsten Swenson (editors). 2015. Critical Landscapes: Art, Space, Politics. Berkeley: University of California Press.

Smithson, Robert. 1966 (1996). Frederick Law Olmsted and the Dialectical Landscape. in Robert Smithson: The Collected Writings. Jack Flam (ed.). Berkeley: University of California Press. 157–171.

Thompson, Nato. 2009. Experimental Geography: Radical Approaches to Landscape, Cartography, and Urbanism. Brooklyn, New York: Melville House.

Thompson, Nato (editor). 2012. Living as Form: Socially Engaged Art from 1991-2011. Cambridge, Massachusetts: The MIT Press.

Thompson, Nato. 2015. Seeing Power: Art and Activism in the 21st Century. Brooklyn, New York: Melville House.

Wallace, Ian. 2014. Critic Lucy Lippard on Trading Conceptual Art for Environmental Activism. Artspace (May 1, 2014). http://www.artspace.com/magazine/interviews_features/lucy_lippard_interview

Wallis, Brian. 2010. Land and Environmental Art. London: Phaidon Press.

Weintraub, Linda. 2012. To Life!: Eco Art in Pursuit of a Sustainable Planet. Berkeley, California: University of California Press.

Tavares, Paulo. 2015 Rights of Nature. Social Text: Periscope (2015 March 8 Radical Materialism issue). http://socialtextjournal.org/periscope_article/rights-of-nature/

Tuck, Eave and K. Wayen Yang. 2012. Decolonization is not a metaphor. Decolonization: Indigeneity, Education & Society 1(1): 1 – 40.

Zukin, Sharon. 2010. The Naked City: The Death and Life of Authentic Urban Places. New York: Oxford University Press.